Detroit's New Taubman Center

Middle school students at the new Henry Ford Academy in the Taubman Center in Detroit. All photos by Nathan Kirkman for Metropolis.

In November of 2009, I went back to Detroit after being in the Motor City for Project M (and starting a big debate with this blog post.) While in town during the Project M trip, I got a late night tour of the then-under construction Argonaut building . Once home to General Motors design group, the building was being renovated by the College for Creative Studies into an interdisciplinary design eduction and innovation hub, with activities ranging from a design-focused charter school to professional space for start-up designers. I saw the building in action this fall and wrote about its transformation—and the evolution of design education —for this month's issue of Metropolis magazine. See the excerpt and link to the full article below.


Inside the new Taubman Center in Detroit.

Back to the Future

A school dedicated to design-based learning opens in the very building where GM's legendary Harley Earl became the father of the modern car.

It’s an overcast day in early November, and the students of the Henry Ford Academy: School for Creative Studies (HFA) seem especially charged. Deshon Mumford, a ninth grader, leads a tour of his new school and explains that some of the excitement may be because he and his classmates just picked their official mascot. The sixth-to-twelfth-grade public charter school opened eight weeks earlier with students from neighborhoods across the city of Detroit as the inaugural class, and now they are helping to establish traditions. Nominations were taken, votes counted, and from here forward the students of HFA will be known as the Mustangs. Deshon, a bright kid who likes to write poetry, says it wasn’t his first choice, but he appreciates the process. “We all got a vote,” he says. READ MORE.

Writing for the Web

I recognize the irony in using a photo of a vintage typewriter for this post, but it's so much nicer than a shot of a keyboard...

I'll be teaching an evening Odyssey course through Johns Hopkins University this winter titled: Writing for the Web: A Primer for Getting Published.

There are increasingly more opportunities to get published online as print magazines fold and Web-only presences emerge. Writing for the Web and submitting online to publications is not the same as writing and submitting to print publications. Knowing the difference is important. In this course, we will talk about where publishing is going and how the online community will affect writing opportunities. This class is one part writing—how to make your prose sing for an online audience—and one part practical—how to get published or self-publish via a blog. It's a workshop for those who want to get published for fun or for profit.

This continuing education class is open to anyone. Click here to be redirected to the Odyssey home page and then click on the image of their Spring 2010 course catalog for more information and registration forms.

The basic 411:

Class takes place on the Homewood Campus of Johns Hopkins University
$180 (12 hours) 6 sessions.
Tuesdays, February 16 - March 30, with no class on March 9.

New Year, New Blog

For the past several weeks I have been working with Web designer Justin Kropp on creating an actual Web site for my work and my blog. So very soon I will be launching eedickinson.net. Stay tuned...

Big Boyz

As seen at Friends bar in Fells Point. Photo by Seth Sawyers.

'Tis the season for best of lists and countless retrospectives, so I'll add to the growing pile with the Best Marketing Technique of 2009. And the winner is...Big Boyz Bail Bonds. Sad, but true. Anyone living in Baltimore has likely seen their blazing pink and yellow ballpoint pens peaking out of restaurant aprons and pleather credit card folders. I've seen them in offices, coffee shops, college classrooms... Nearly as many pens as there are bail bond locations. I've been told that reps from the company drop these off by the bagfull in vans emblazoned with the Big Boyz logo. I've also been told that the pens have a knack for breaking open and bleeding blue ink all over you. I should insert some serious social commentary on the industrial prison complex and the truth that these pens portend, but I'll let the garish, prolific, oozing pens speak for themselves.

Market Forecast: 2010

For Architect magazine's December issue, I spoke with experts in different sectors of the architecture and construction industry to find out what they think will happen next year. Here's what they had to say...

RIP I.D.

More bad news from the world of design. F+W Media announced yesterday that it will fold I.D. magazine. After January, the 55 year-old publication will be no longer. This ranks up there with the loss of Gourmet in my mind. Another stalwart publication bites the dust.

The publisher released the following statement to explain their decision:

The fragmentation and specialized information needs of I.D.'s core readers (product designers) and the plethora of information resources available to them—some for free (online and B2B) and others that are highly specialized and targeted to specific industries served.

F+W will continue to produce Print.

Holiday Shopping

A long hiatus from blogging. I went to Paris over Thanksgiving. When my husband and I returned to the U.S., the customs officer looked suspicious when we said we were bringing absolutely nothing back with us (besides higher cholesterol and an extra five pounds). The exchange rate just sucked, so no gifts from abroad. Back in Baltimore today and the weather can't decide if it wants to rain or snow. So for now, it's snrainy. We've got a fire going in the wood stove, but I'm going to venture out into the inclement day and join my friend Lisa at the Charm City Craft Mafia Holiday Heap sale over at St. John's Church. A sneak peak at some of the vendors below. Runs until 5 PM today in case you're in town and want to head over.


Letterpress cards from Bowerbox Press.


As someone who likes to keep handwritten journals when I travel, here's a map of Florence book by Bowerbox Press.





Screenprints from 2Hawks2Fishes. They have a wonderful collection of rock posters from local bands.



Flasks by Maneating Flower



Ceramics by Little Flower Design

Event: Build Boston

Parkview Terrace, an affordable housing development for the elderly in San Francisco that combines universal design with beautiful aesthetics. A portion of the 101 units were set aside for the homeless.

I'm flying to Boston tomorrow night to be a part of a panel discussion on Thursday at the annual Build Boston Conference. The topic: New Models of Home for our Third Age (scroll to the bottom of this link).

I'll be presenting projects from the book I am researching about new models of residential design for our aging population (more on this in the not-to-distant future, I hope). I touched on this topic last year in an article for Architect magazine.

I'll be joined by Gabriela Bonome-Sims from the Institute for Human Centered Design, Elaine Ostroff, Hon. AIA, and Susan Szenasy of Metropolis magazine. The talk runs from 6-7:30, so for those of you heading to Build Boston, I hope you'll pop by.

Old School Remedy

I was invited to dinner last week by a group of undergraduate graphic designers at the Maryland Institute College of Art involved in a course called Design Coalition. Taught by professor Ryan Clifford, the course partners with members of the East Baltimore community to bring graphic design and problem-solving to a neighborhood struggling to come out from under years of disinvestment and decline. The dinner was a chance for the students to cook their favorite dishes for some of the community members and to get to know each other better.

One of the guests was a woman named Ma Perkins. Ma has lived in East Baltimore her entire life and when asked what her neighborhood needs to recover and sustain itself, she talked about the young people. "They don't know how to take care of themselves. They are always looking to others for help," she told me. She talked about growing up in a family that hailed from St. Mary's, a rural farming community in Southern Maryland, where her ancestors were slaves on tobacco farms. She talked about knowing how to make a bag of groceries last for weeks, and how to stretch basics like beans and rice. Her generation, she said, knew how to take care of itself and fix what needed fixing. She talked about skills like carpentry and quilting and sewing, and how those are lost to kids today. This got us on the topic of simple home remedies. "You know the best cure for a cold with a cough? White onion," she said. You take an onion, slice it thin, top it with sugar and lemon, and let it cure. Then, Perkins explained, you drink the syrup. "That cold will be gone in no time."

This return to basic resourcefulness is a part of the DIY design movement, but what Ma Perkins was addressing goes deeper. It's not just about making something new, it's about making do.

We started to hatch a plan for gathering some of the elders in East Baltimore for an Old School Remedy night where they could pass along lessons and skills that may otherwise be forgotten. We talked about making a cookbook—or a sourcebook—to gather these stories and ideas.

Seems Ma Perkins is on to something.

Making the rounds on the Web last week was news of a new Brooklyn start-up magazine called Remedy Quarterly. The magazine has the tagline: Stories of Food, Recipes for Feeling Good. They explain their publication this way:

Remedy Quarterly is a magazine of food stories and the recipes that go with them. We love that food is a common language and drew inspiration from community cookbooks. The first issue of Remedy Quarterly starts where food often starts—at home. We have stories of family coming around the table, a cake that brings the author home in her mind, and a vegetarian coming home to omnivorism.

And, of course, there are the remedies. Though some of these sound downright awful. (And dumb. Raw egg in warm beer for a hangover cure? I think Remedy Quarterly needs a Remedy Test Kitchen like Cook's Illustrated.)

In addition to the obvious overlap in the conversation I had with Ma Perkins, I thought the two pages that the editors sampled from their inaugural issue to be particularly coincidental in light of our dinner gathering among friends: one about onions, the other about food...

Thursday Night! Design Convo #13

(Click on image for a larger version)

If you are free tomorrow evening, Nov. 5 from 6pm-9pm, I hope you can pop by the next monthly installment of the Baltimore Design Conversation. The topic is "Design Policy + Tactics." (Click on the above image to get more details.)

As usual, the event will happen at the Windup Space, 10-12 W. North Ave. near the corner of Charles Street. The event is free and open to the public. You are invited to bring ideas and share your thoughts with the group or just swing in for a beer and some interesting conversation.

For those of you not familiar with the event, the Baltimore Design Conversation is a monthly program organized by a group of people (including myself) who think design culture should play a greater role in the future of Baltimore. The Design Conversations have been a way to highlight significant work being done by designers and to discuss design issues relevant to Baltimore and cities in general. It is also an outgrowth of the D:center Baltimore.

Questions? Contact this month's Design Convo coordinator, Eric Leshinsky @
eric (at) g-r-a-p-h.com